{"id":67587,"date":"2015-08-21T20:11:15","date_gmt":"2015-08-21T19:11:15","guid":{"rendered":"https:\/\/www.sicile-sicilia.net\/?p=67587"},"modified":"2026-10-12T09:57:16","modified_gmt":"2026-10-12T08:57:16","slug":"temple-of-olympian-zeus-in-agrigento","status":"publish","type":"post","link":"https:\/\/www.sicile-sicilia.net\/en\/temple-of-olympian-zeus-in-agrigento","title":{"rendered":"Temple of Olympian Zeus in Agrigento"},"content":{"rendered":"

Located in the Valley of the Temples of Agrigento<\/a>, the Temple of Olympian Zeus<\/strong>, or Olympieion<\/strong>, was a monumental building that remained unfinished. It is the largest Doric temple in the West. Its construction was never completed. It also presents a unique architectural case in the Greek world, with the statues of giants that stood between the pillars.
Today, the monument appears as an immense field of ruins, due to the ravages of time.
The cult would have been linked to chthonic Zeus<\/strong>, known for example in Hesiod as the dispenser of agricultural goods. This could explain the architectural design, with a closed and compact structure around the large inner hall.<\/p>\n

History and context<\/h2>\n
\"Capitals<\/a>

Capitals of the Temple of Jupiter<\/p><\/div>\n

According to Diodorus Siculus<\/strong>, the construction of the temple was initiated by Theron following the victory at Himera against the Carthaginians in 480 BC. The exceptional scale of the worksite, combined with the political and military difficulties that marked Agrigento, seems to have led to the abandonment of the construction.
After the sack of the city by Carthage in 406 BC, the building remained unfinished. Later earthquakes, probably from the medieval period, subsequently contributed to its final collapse, then it was used in the 18th century as a stone quarry for the construction of the pier of Porto Empedocle.<\/p>\n

Architecture of the temple<\/h2>\n

Although it is traditionally described as a Doric temple, it actually belongs to an atypical architectural type, unique in the Greek world, sometimes described as “pseudo-Doric”, characterized by a colonnade engaged in the walls rather than by free-standing columns.
The building was distinguished by its massive fluted pillars and by the presence of telamons<\/strong>, colossal statues integrated into the thickness of the walls. Today in ruins, it constitutes a major testimony to the architectural ambition of the ancient city of Akragas.<\/p>\n

\"Reconstruction<\/a>

Reconstruction of the Temple of Zeus<\/p><\/div>\n

The temple stood on a colossal base of 56.30 \u00d7 113.45 m. The pillars\u2014often described as columns\u2014reached nearly 20 meters in height.
Between these pillars stood telamons about 7.5 to 7.8 meters high, figures of giants with raised arms, integrated into the outer wall structures. This architectural peculiarity is particularly remarkable.
Their function was essentially decorative and symbolic, and not structural.
One of these figures, reassembled in the 19th century from original fragments, is kept in a room of the Archaeological Museum (a copy was left in place, among the ruins of the temple).<\/p>\n

The Olympieion was characterized by a unique architectural innovation in the Greek world: the exterior colonnade was entirely closed by walls, creating a massive envelope without known equivalent in Hellenic architecture.
According to the testimony of Diodorus, the temple would have had both its pediments sculpted (representing respectively a Gigantomachy and the capture of Ilion). Less than 50 meters from the eastern facade are the remains of the monumental altar.<\/p>\n

On certain blocks, U-shaped notches can still be distinguished, used for lifting by means of ropes and traction devices. These marks correspond to the construction techniques attested in the monumental buildings of Akragas, according to the archaeological surveys of the Museo Archeologico Regionale.<\/p>\n

50 meters facing the eastern facade can be seen the remains of the altar of the temple.<\/p>\n

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